Luckily, I compiled what I consider to be the top-rated in the photography community. MSRP: $1,599. If you are on a budget you might want to check out our list of manual <$100 lenses that perform well on the Sony a7 series.If your budget is a bit bigger we also have a guide to lenses for less than $500 which perform great on your Sony … What we don’t: Wide… Copyright © 2019 Sweet Memory Studio – Sweet Memory Studio helps photographers and most people find the best cameras, photography gears, accessories, and digital electronics and gadgets. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.29 m Filter Diameter: 49 mm Size: 64 mm (diameter) x 60 mm (length) Weight: Approx. Colours are precise and vibrant, so JPEG shooters who don’t want to spend any time behind a computer can be confident of nailing the shot straight-out-of-camera. If you are new to manual lenses we recommend that you read our beginner’s guide to manual lenses on the Sony a7 series first.. Manual Lenses on a Budget. As long as you get close enough to the subject, you can get impressive bokeh even at 24mm. One downside with f/1.4 lenses across the board is their size/weight. Simple – because it’s the best. If you love traveling or shooting in the wild, this is the ideal full-frame lens … I actually prefer this construction over an all-metal lens, since they’re just so much lighter. Sharpness is decent at f/1.8, but stopping the lens down to f/4-f/8 really yields the best results, if capturing the utmost detail is your primary concern. However, it’s still not quite as good as the Sony GM version :-). Both the Canon and Nikon offerings top the scales at around 600 g (21.2 oz. Do all Sony Alpha lenses fit on all Sony cameras? 24mm is wide enough to get the entire church or that epic landscape shot, and 70mm gives beautiful compression for a bridal portrait. While this 50mm-equivalent lens is a bit pricey for an f/1.8 normal lens, we think … Shop by focal length such as 24mm, 14mm, 35mm 225 g. I’ll finish this roundup with a little bit of a controversial choice. Kamlan 50mm F1.1 APS-C Large Aperture Manual Focus Lens Standard Lens for Mirrorless Cameras (Sony E Mount) 4 $159.00 $ 159 . In my opinion, it’s the best prime lens for Sony crop-sensor camera owners who want a small and lightweight setup with excellent optical performance – it’s in many respects the perfect travel camera/lens combination. It is best suited for landscapes, unlike the Sony FE 85mm f/1.4 GM or the Sony FE 90mm f/2.8 G OSS. It’s also much lighter than a lot of lenses this good. As you’d expect from the price tag of a G Master lens, image quality out of the Sony 16-35mm f/2.8 is nothing short of incredible. It can really help new photographer build the skills they need to improve. There’s no doubt that this Sony 24mm f/1.8 is the best standard wide angle lens available for crop sensor Sony E mount cameras, but its price definitely isn’t for everyone. Rokinon Xeen Cine lenses are built specifically for use as a cinema lens for Sony E-mount. This lens mount adapter allows any Canon EF/EFS Lens to fit on any Sony E-mount mirrorless camera perfectly. Zooming in 100% on images shot with the 55mm f/1.8 attached to a 42MP a7R III is mind-blowing – individual eye lashes look like wires on head shots which fill the screen with the 55mm. This lens is less than $239 on Amazon.com. If you own a Sony crop sensor body and crave the the advantages and flexibility of using a ‘real’ 35mm lens (as opposed to one that’s labeled ’35mm’, but converts to around 50mm on APS-C), the 24mm f/1.8 is simply the best lens you can buy. Furthermore, it’s a more affordable, better alternative to the one from Canon. I was pleasantly surprised with how much bokeh can be produced at f/2 with this lens. Owners of the Sony 16-35mm f/4 Zeiss OSS may not want to read any further, but let me just say this before digging deeper – the Zeiss version is smaller, lighter, cheaper, and can deliver outstanding results. Here’s an example of a lens that’s quite a mouthful: Sony lens naming conventions can be a little confusing…. This can be too difficult for most beginner photographers to figure out on their own. This roundup has been updated to include both native Sony FE lenses for full frame, Sony APS-C lenses for crop sensor, and the latest range of Sigma Art lenses for Sony. At the end of a long wedding day, the last thing I want to attach to the front of my camera is a big, heavy lens like a 24-70, and 28mm allows you to get stuck right into the crazy dance-floor action, making the viewer feel truly immersed. On the Sony a6000 I used for testing, auto-focus speeds were excellent, and JPEGs looked great straight out of camera. That’s why having a ‘fast’ lens with a large (f/1.8) aperture like the 35mm f/1.8 is such a big help. Sure, your smart phone’s ‘portrait mode’ may be able to do something similar, but the process is much slower with the mobile phone and its fancy A.I. With its soft diaphragm, it can make very soft and lovely bokeh that will leave you breathless. The size and weight balances nicely on the Sony a6XXX series bodies. I’ve selected the lenses above based on my own personal experience (thanks Sony USA/Australia/Japan for the loans!). Check out the video below to see the features that put the GM lenses one step above all the others in the Sony lens catalogue. This lens is perfect for close-ups of small objects. Wedding photographer or not, 35mm allows you to fit enough in the frame to tell the story, whilst at the same time being equally suited to shoot a solo portrait, group shot, landscape image, or anything else for that matter. Imperfections like this add a certain character to the lens flare, with a certain unpredictability that’s fun to play around with. They feature an internal focus design so that the lens does not change size while focusing to minimize … Carl Zeiss 135mm f/2 APO-Sonnar for Canon EOS with Metabones to Sony FE mount. By: Fotasy. NEX stands for “New E-Mount eXperience”, with the branding no longer used on newer Sony cameras. If you need to turn unsightly backgrounds to mush or want to give subjects more 3 dimensionality, this 35mm lens is unbeatable in the Sony full frame lens lineup. Its speed only adds to its appeal. As long as you don’t mind the weight of this lens, I really can’t find any reason not to recommend it to any kind of Sony full frame shooter. The Sony mirrorless camera system has a native E-Mount for the lens mount, and a number of manufactures make lenses for it besides Sony these days.. For the most common Non Sony E-Mount Lens Options, be sure to click the links below for the corresponding e-mount lens guide pages:. A wide angle zoom lens with the best image quality and can justify the price tag. Auto-focus performance is just as good as any DSLR equivalent I’ve shot with. As with the 55mm f/1.8 we discussed earlier, the 85mm f/1.8 achieves incredible amounts of detail – zooming in 100% with the Sony A7R III files is mind-blowing. The ‘OSS’ refers to Optical Steady-Shot (image stabilization), a feature that is rare on prime lenses. Aside from that, there isn’t much to complain about. What’s the difference between Sony E Mount and A Mount? … It’s by no means an exhaustive list since every photographer’s needs are different. 16-35mm has also become popular with wedding photographers, particularly on the dance floor of all places. If you’re coming from another camera system, investing in two Sony mirrorless full frame bodies and several lenses may be out of your budget. Highly recommended! Lightweight, compact, good image quality: all things everyday people want in a lens. ZEISS Batis 18mm F/2.8. Sony a7RIII +  85mm f/1.8 | © Gold Hat Photography, So when I switched to Sony, I decided on the 85mm f/1.8 and haven’t looked back. I highly recommend this Sony E 55-210mm to hobbyists and beginners. In addition, shooting near the 70mm end of the focal range at f/2.8 produces creamy bokeh that turns out of focus elements into mush – very useful for unsightly backgrounds at weddings, for example. So what are you getting for your money? Build quality is decent, although not the all-metal tank-like build you’ll see with G Master or Zeiss lenses. As mentioned previously, I’d also like to hear about your favourite 3rd party lenses which you use mount on Sony camera bodies. I’ve been fortunate enough to have access to the entire range of native Sony e mount lenses (thanks Sony Australia! Following the recent release of so many Sony mirrorless camera bodies, I thought it fitting to write a roundup of the best Sony lenses available in 2021. Before we dive head first into the Sony lens reviews, it’s important to understand what all the letters in the lens name mean. 50mm is a popular focal length since it gives an un-distorted view of the world, and can be flattering for portraits, without making the subject feel detached like a longer lens might. Be sure to check out this guide to the best lenses for the Sony a6000 for some more Sony e mount lens recommendations for the crop sensor format, and my guide to the best Sony accessories for what I’m currently using with my Sony cameras. Weight: 22.3 oz. If you want to know what lenses to buy for your Sony camera first, this quick summary should help: If you’re looking for an affordable, fun and tiny prime lens for your Sony APS-C sensor (E mount) camera, the Sony 20mm f/2.8 is my pick. ), feel free to skip ahead to the next recommended lens, since the 35mm f/1.8 is only for APS-C (crop) sensor shooters. Obviously, AF speed is largely dependent on the camera itself but paired with any Sony mirrorless full frame camera, I’m confident that you won’t be disappointed. However, I believe that this roundup provides a solid selection of all-round lenses that give the best bang for the buck, or simply provide the absolute best image quality at a given focal length. 28mm allows you to get up close to the action, whilst still providing enough ‘room’ in the frame to tell the story via the background, or other foreground elements. Sony FE 12-24mm f/4 G. If you want to get everything in the frame, this is for you. Sony Distagon T* FE 35 mm f/1.4 ZA. An aperture of f/1.8 also means that you’ll be able to get that coveted ‘blurred background look’ that really separates lesser cameras. One unique advantage of the 28mm f/2, is that Sony also produces two handy converters that can change the focal length of the lens – this one that makes it 21mm; and another one that makes it a 16mm fish-eye! Weighing in at 680g, this is one chunky lens, similar in proportions to the 35mm f/1.4 described above. From there the sky is the limit. If you want to get the most out of every mega pixel in your Sony a6XXX body, investing in premium Zeiss optics will really open your eyes, especially if you’re used to variable aperture zoom lenses, such as the ones that typically come bundled with cameras. As a rule of … Although the Sony APS-C sensor does a good job in sucking in as much light as possible, due to the limitations of the smaller sensor size, images captured in low-light at higher ISOs can become rather noisy. If you’ve just blown your budget on a new Sony full frame mirrorless camera and can only save up for one lens, the 28mm f/2 would be my recommendation. When mounted on a Sony APS-C (crop sensor) body like the Sony a6000, the field of view is converted to 85mm, a classic focal length for portrait photographers, who strive for un-distorted, flattering facial features, beautiful out of focus areas (subject separation) and a mid-range zoom which still doesn’t make the viewer feel too detached from the image. So for a crop sensor prime lens such as the 24mm f/1.8 to cost almost as much as the camera itself (see latest price here), you’re going to ruffle some feathers amongst hobbyists! You can check the current price of this lens here – you’ll appreciate the fact that it’s over $1,200 cheaper than Sony’s f/1.4 G Master offering, and about $700 less than the f/1.8 Zeiss Batis version. Here is a quick tip on how to focus manual lenses on Sony Mirrorless Cameras. All FE lenses are compatible with the Sony a6000 series and all other Sony e-mount crop sensor cameras. That lets in an incredible amount of light. Since it’s such a lightweight lens, auto focus performance on the 28mm f/2 is silent and lightning quick. Third parties like Venus and Voigtlander only sell manual focus glass, but others like Samyang, Rokinon, and Zeiss have both … Overall, the Sony 35mm f/1.8 is a versatile and fun little lens that is the perfect complement to a small Sony mirrorless body, with images quality that simply isn’t possible with the kit lens that comes with your camera. It’s important to understand the difference between Sony FE and Sony E-mount lenses (we’ve ignored Sony A mount lenses in this review, which are for Sony’s non-mirrorless range of cameras). At f/1.8 there’s slight corner softness, but nothing that distracts, and if you get close to your subject, you’re rewarded with some beautiful bokeh thanks to 7 rounded diaphragm blades. I wouldn’t want to drop it (obviously! I don’t want to spend too long trying to compare these two excellent lenses, since neither is the ‘right’ choice. While Sony has plenty of e-mount lenses, it can be hard to choose the right one. With the incredible high ISO performance of Sony full frame cameras, you won’t miss the 2/3 of a stop when the sun falls, and you won’t miss it even if you’re a bokeh-whore! Let’s break those words and abbreviations down: Other Sony lens abbreviations you may see include: In the reviews below, I’ve removed the superfluous lettering after the main elements of each lens name in the interests of simplicity – feel free to click through to each lens on Amazon to see the entire lens name. However, for half the price, I’d recommend you check out the f/4 variants too. Sony a7RIII + 35mm f/1.4 FE | © Gold Hat Photography. 55mm may sound unusual, but the difference between a 50mm and a 55mm field of view is minor and something you’ll quickly get used to. Paired with the Sony a7 or a9 series bodies which offer silent shooting, you can focus and shoot with no noise at all. Distortion is minimal, but this is probably due to Sony mirrorless bodies which correct most distortion in-camera. Build quality is top-notch, as you’d expect from a Zeiss lens. I’m interested to hear if you agree or disagree with any of my choices, so please feel free to leave a comment below to continue the discussion. Basic Guide to Camera Lenses for Beginners. Colour rendition is obviously also dependent on the camera used, but at least with the 55mm f/1.8 , you’ll know it’s not the lens letting you down! The Sony E 35mm f/1.8 OSS is especially good for a beginner. What’s else? Sony a6000 +  24mm f/1.8 | © Duy Nhât Phan. Highly recommended! I often shoot portraits at f/2, just to give myself a bit of leeway in case of missed focus. It also exhibits very little distortion. Razor sharp, great bokeh and lightweight. GM stands for ‘G Master’ – the premium Sony e mount lenses, similar to Canon’s L series. As for FE mount (full frame) Sony cameras, my favourite prime is the Sony 35mm f/1.4 which I reviewed below. (We actually included this lens in our article on the best lenses for Sony a7 cameras.). Due to its small size, it feels great when attached to Sony crop sensor bodies, and makes a fun walk-around lens. I call it the ‘lazy lens’, as you can literally shoot an entire wedding with one, barely moving your feet all day! ), and this one from Sony is no different, at 630 g (22.22 oz). At f/2.8, the 24-70mm f/2.8 is impressively sharp in the centre of the frame across the entire focal range. (If there was an f/1.8 35mm, I would’ve got that too!). Also, this guide to the best lenses for Sony a6400 shooters should be useful too. It’s a pricey beast of a lens, but it could be the only lens you ever need. With the sun at your back, images out of the Sony 24-70mm f/2.8 are vivid, sharp, contrasty and extremely sharp. Whilst you could use the 35mm f/1.4 on a crop sensor body like the Sony a6500, I’d definitely recommend holding the camera+lens setup before making your purchase – the size/weight of the lens will dominate the camera, so could feel quite odd. This Sony 16-50mm lens is a top recommendation for those who want to capture incredible sharpness especially for 4K videos. Although cheaper than the Canon/Nikon equivalents by about $300 (see the latest price here), I imagine that the majority of its owners are either professionals (like me), or amateurs who place a great value on stellar imaging performance. Made in Thailand, this is the best budget E-Mount lens for your Sony camera. 16mm allows for some crazy, in-your-face moments to be captured, and the versatility of zooming out to 35mm allows you to capture wider angle for when the action becomes more varied. A nice touch is a ‘focus-hold’ button on the side of the lens, which can be customised to control various other functions – I have mine set to control Eye AF. 55mm f/1.8 offers a versatile focal length that’s perfect for shooting portraits, and delivers class-leading sharpness and first-rate Zeiss quality. The cameras used for testing were the full frame a7R III (reviewed here), the a7 III (reviewed here), and the crop sensor a6000 (reviewed here). Fujifilm shooters are ‘limited’ to APS-C or Medium Format, but Sony shooters can decide between crop sensor and full frame.. and most pros choose full frame. f/2.8 used to be considered sub-par for low-light photography, but with the high ISO capabilities of full frame cameras these days, it’s more than adequate. If you own a full frame Sony body (lucky you! Weight: 8 oz. Build quality is all-metal as to be expected from Carl Zeiss, and it’s a huge step-up from the plasticky kit lens. However, it is a tad smaller, and paired with a Sony A7 or A9 body, it actually feels pretty good – the narrowing of the lens where it meets the camera body creates a comfortable space for the fingers of your non-camera-holding hand to rest. By investing in lightweight Sony FE lenses such as this 28mm, it’s easy to use the same lens on the smaller crop sensor body, and take advantage of the image quality inherent in FE glass. If you want to step up the image quality considerably on your a6xxx series camera, the Sigma 30mm f/1.4 is a good bet – that fast maximum aperture will deliver great bokeh, and get you out of trouble in low-light too. The Viltrox is great for Canon EOS-M. 00 Sony SELP1650 16-50mm OSS Lens: Sony E PZ 16-50mm f/3.5-5.6 OSS Lens … The images I’ve shot professionally with the Sony 85mm f/1.8 look fantastic at f/1.8, but to me, the lens really excels when stopped down to f/4~f/5.6, where images become even more contrasty and sharp, almost leaping off the screen. DXO Mark compared the Sony 85mm f/1.8 with the other Sony/Zeiss 85mm variants and found it to be the sharpest of the bunch. When tested on my a7R III and a a6000, I found auto focus speeds to be just as snappy as the fastest DSLR lenses I own, and much quicker than the Sony 50mm offerings. Sony’s contactless linear motors eliminate gears and mechanical couplings. Announced to complement the first Sony A7 and A7R mirrorless cameras, the 55mm f/1.8 was the perfect match for these groundbreaking devices. At f/4, sharpness improves, but let’s face it – you’ll be shooting this bad boy wide open most of the time, so it’s good to know it performs well like that! One other lens recommendation is the Sony 85mm f/1.8, which is a lightweight, affordable prime lens that’s perfect for portraits, delivering sharp, contrasty images with beautiful out-of-focus areas. The Sony FE 85mm f/1.8 is designed for the Sony E-mount full-frame camera systems. As for image quality, the 55mm f/1.8 delivers razor-sharp images whether shot wide open at f/1.8 or stopped down to smaller apertures – you can expect edge to edge sharpness across the board, and incredible detail retention. On a Sony e mount camera like the a6000, it’ll become a 142mm lens, also great for portrait photography. Buying Guide: Digital Camera Lenses for Beginners. The products in this post may contain affiliate links. Well, this Sony 85mm f/1.8 was the third lens I settled on. It’s fair to say that any of the Sony products with the word ‘Zeiss’ on the side really excel in image quality, especially the fast primes such as this one. In this post we will look at the best E-mount lenses compatible with Sony’s range of APS-C mirrorless cameras, whether Nex (5,6,7) or Alpha (a3000, a5000, a6000, a6300, a6400 or 6500…). This is quite possibly the best Sony E-mount lens you can buy. Sony a7RIII +  28mm f/2 FE | © Gold Hat Photography. Unless you’re shooting in low-light all the time, f/4 plus image stabilization and Sony’s excellent high ISO capabilities may be all you need. Similarly, it can mean the difference between a noisy image (where a higher ISO is needed to capture enough light), and a clean one (where using f/1.8 allows you to use a lower ISO). 371 g. Remember I mentioned that I bought 3 lenses when I switched from Nikon to Sony? by James Madison. You can also adapt a good legacy 50mm for under $50. This may be the kind of lens you’d want to buy if you weren’t interested in professional photography. However, I believe that whatever your profession and whatever the camera you own, it’s always a good decision to invest in the best possible lens you can afford… and in this case, that’s the Sony 24mm f/1.8. If you’re coming from another camera system and have always used f/1.4 lenses, give the 85mm f/1.8 a shot before sinking your cash into other options. I think it’s a fair assumption to say that the majority of professionals use full frame cameras, given the choice. A real workhorse that delivers great-looking images over and over, and allows you to shoot in near darkness with no flash. Canon TS-E 24mm II with Metabones to Sony FE mount. Small and light as a lens cap, you can blur the background on the cheap, and the image quality is surprisingly good too. If you’re looking for the sharpest lens at a useful, flattering focal length, it’s hard to beat the Sony 55mm f/1.8. It makes the camera a joy to hold, has excellent image quality and won’t break the bank. The image quality is great, and its focal length and aperture make this one of the best lenses you can get for portraits. For this price, I recommend the 85mm f/1.8 for any photographer who needs a versatile portrait focal length at a good price, which complements the size of a Sony mirrorless camera. Shot wide open at f/2.8, images are tack sharp, and this level of detail remains across its entire focal range. They are also compatible with Hasselblad E-mount cameras. The above lens is the Sony FE 70-200mm f/4 G OSS. I love the look of images shot at f/1.4, but felt that I could easily get by with f/1.8 – the trade off in light gathering ability was more than worth it for the reduction in size/weight and price. 28mm is a somewhat unusual focal length, and it did admittedly take me a little time to get used to. Zeiss E-Mount Lens Guide >> Sigma E-Mount Lens Guide >> Tamron E-Mount Lens … The focus falloff from these razor sharp in-focus elements to creamy bokeh is gradual and subtle, and the bokeh itself is beautifully smooth. Compatibility: Full frame (FE) & Crop Sensor (E) Minimum Focus: 0.8 m Filter Diameter: 67 mm Size: 78 mm (diameter) x 82 mm (length) Weight: Approx. At half the weight of the camera body, it’s the perfect complement to the slender Sony APS-C sensor bodies. 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